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Zhenyu Liang. Virtuosity as a cognitive phenomenon in modern piano performance : Доктор філософії : spec.. 025 - Музичне мистецтво : presented. 2025-10-15; popup.evolution: o; The Odessa National A. V. Nezhdanova Academy of Music. – Одеса, 0825U003784.

Zeyu Liu. The Semantics of the Piano Sonata Cycle in the Works of European and Chinese Composers: A National and Stylistic Perspective : Доктор філософії : spec.. 025 - Музичне мистецтво : presented. 2025-08-15; popup.evolution: o; The Odessa National A. V. Nezhdanova Academy of Music. – Одеса, 0825U003090.

Marharyta Ushakova. Traditional and innovative in the strategies of Rosalyn Tureck’s musical creativity : Доктор філософії : spec.. 025 - Музичне мистецтво : presented. 2025-08-30; popup.evolution: o; I.P. Kotlyarevsky Kharkiv National University of Art. – Харків, 0825U002706.

Oleksandr Ostrovskyi. Reception of Luchino Visconti's Cinematic Heritage from the Perspective of Multimodal Discourse Analysis : Доктор філософії : spec.. 034 - Культурологія : presented. 2025-06-18; popup.evolution: o; Ukrainian National Tchaikovsky Academy of Music. – Київ, 0825U002125.

Yevhen Yeremenko. New Artistic Realities in the Works of Ukrainian Composers of the Late XX — Early XXI Сenturies : Interpretative Aspects : Доктор філософії : spec.. 025 - Музичне мистецтво : presented. 2025-06-20; popup.evolution: o; Ukrainian National Tchaikovsky Academy of Music. – Київ, 0825U001521.

Heorhii Syrbu. Tandem Creativity in the Artistic Culture of the Second Half of the 20th Century and the Early 21st Century. : Доктор філософії : spec.. 034 - Культурологія : presented. 2025-05-21; popup.evolution: o; Ukrainian National Tchaikovsky Academy of Music. – Київ, 0825U001364.

Huiyan Yang. The dichotomy of form and content in the process of musical thinking (based on piano work) : Доктор філософії : spec.. 025 - Музичне мистецтво : presented. 2025-02-28; popup.evolution: o; The Odessa National A. V. Nezhdanova Academy of Music. – Одеса, 0825U000674.

Yuhang Luo. Chamber-Vocal Cycles of G. Mahler: From Musical-Dramaturgical Parameters to Performative and Interpretative Factors : Доктор філософії : spec.. 025 - Музичне мистецтво : presented. 2025-01-29; popup.evolution: o; The Odessa National A. V. Nezhdanova Academy of Music. – Одеса, 0825U000351.

Tianxiang Dai. Opera melos in the light of historical and chronological assessment and vocal and performing perception : Доктор філософії : spec.. 025 - Музичне мистецтво : presented. 2025-01-28; popup.evolution: o; The Odessa National A. V. Nezhdanova Academy of Music. – Одеса, 0825U000343.

Huixuan Luo. Genre-Stylistic Parameters of the Chamber-Vocal Cycle in the Works of Chinese Composers of the 20th Centuries in the Context of the Problem of Artistic Integrity : Доктор філософії : spec.. 025 - Музичне мистецтво : presented. 2025-01-16; popup.evolution: o; The Odessa National A. V. Nezhdanova Academy of Music. – Одеса, 0825U000239.