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Information × Registration Number 2120U007903, Article popup.category Стаття Title «Kralew\nplach»:\ntransmitting and adopting of Kievan metropolitanate’s oral chants in Moscow manuscripts at the end of the XVII – the 1st part of the XVIII cc. (AI translated) popup.author Герасимова ИринаHerasymova Yryna popup.publication 01-01-2020 popup.source_user Український католицький університет popup.source https://hdl.handle.net/20.500.14570/3276 popup.publisher Український Католицький Університет Description The focus of the article is analysis of the melodies under the title “Kralew płacz” kept in Moscow Patriarchate’s manuscripts. Three different melodies were discovered in the Russian singing books and they had many other tittles too, but the wide-spread melody was single. Main melody had being found in Russian monodic Obikhod and as 2, 3 and 4-voices harmonizations written as neumatic as square five-line notations. Analysis of the chants showed two types of harmonizations. The one type was formed in according with the rules of “Musical Grammatik” written by N. Dylecki and the second one had influence of Old Russian polyphonic putno-demestvennyi style. The article suggested that the first type of harmonizations could have been written by singers of the Kiev metropolis. popup.nrat_date 2025-11-05 Close