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Information × Registration Number 2120U007906, Article popup.category Стаття Title Фіта у піснеспівах часів Царських Великої п’ятниці\nFita in the Chants of Royal Hours on Great and Holy Friday (AI translated) popup.author Качмар МаріяKachmar MariaKachmar MariyaKachmar Maria popup.publication 01-01-2020 popup.source_user Український католицький університет popup.source https://hdl.handle.net/20.500.14570/3269 popup.publisher Український Католицький Університет Description This article represents an attempt of a features of melismatic formulae in slavonic chants of Royal Hours on Great and Holy Friday. The musical sign fita is used in the 13–16th century slavonic neumatic notation and has “transcription” in Irmologion 17th century with Kyivan linear notation. Similar sign is present in the byzantine notation, which also reflects melismas. Also in chants fita has special types: fita svitlaya, fita dvochelnaya and khabuva (with modal change mutation). The melody has different modus: 2, 5, 7, 8. Melisma in this chants reflect a semantic signs in melodic structure, connected with the peculiarities of the liturgical text — the last words of Jesus Christ. popup.nrat_date 2025-11-05 Close